FILMOGRAPHY

  • Above the Clouds - R.: Pepe Diokno; con Pepe Smith, Ruru Madrid;Philippines/ France, 2014, 87’. © Doc&Film International. After losing both of his parents, 15-year-old Andy goes into his grandpa’s foster care. In order to overcome the pain of the loss, the two embark on a hard climb in the mountains, following the same paths that Andy’s parents used to walk in their youth.
  • Ae Fond Kiss - R.: Ken Loach; con Atta Yaqub, Eva Birthistle, Ahmad Riaz; UK, 2004, 103’. © Ken Loach Sixteen Films. Young Pakistani Cassim works as a dj in a pub in Glasgow. Being very respectful of the traditions of his country of origin, he also respects his family’s decision to marry his cousin. However, his life is capsized by the encounter with Roisin, his younger sister’s music teacher.
  • Amelie Rennt - R.: Tobias Weimann Con Mia Kasalo, Samuel Giraldi Denis Moschitto. Germany, 2017, 97’. © Arri Films. Young rebellious Amelie suffers from asthma and, after her last attack, her parents decide to take her to a specialized clinic in Alto Adige. Not willing to leave Berlin to go live in the mountains, Amelie runs away from the clinic looking for shelter in the mountains. Thanks to Bart, a young shepard she meets on the run, Amelie discovers a legend according to which the fires of the Alps can cure the illnesses of animals and men. Together with the boy, she decides to undergo this mysterious ritual.
  • Amor pedestre - R.: Marcel Fabre; con Marcel Fabre, Marcel Fernández Peréz. Italy, 1914, 5’. © Fondazione Cineteca Italiana. An adulterous love story entirely recounted by solely filming the protagonists’ feet.
  • Auf Augenhöhe - R.: Joachim Dollhopf, Evi Goldbrunner. Con Luis Vorbach, Jordan Prentice. Germany, 2016, 98’. © Ratpack Filmproduktion. After his mother’s death, 11-year-old Michael is desperately looking for the father he has never met. Thanks to an old letter written by his mother, Michael discovers his father’s identity, Tom, and he manages to find him. His expectations are capsized once he finds out that Tom is a midget.
  • Bread and Roses - R.: Ken Loach. Con Pilar Padilla, Adrien Brody, Elpidia Carrello, Benicio Del Toro.UK/ Germany/ Spain, 2000, 112’. © Ken Loach Sixteen Films. Mexican girl Maya crosses the US border and joins her sister Rosie, who works for a cleaning company. Maya is hired by the same company, but she’s struck to see the conditions in which her coworkers live: they have no rights nor guarantees and they can be fired at any moment. With the help of trade unionist Sam, Maya organizes a worker’s assembly in order to get better work conditions from her superiors.
  • Chouf - R.: Karim Dridi. Con Sofian Khammes, Foued Nabba, Nailia Harzoune, Zine Darar. France, 2016, 108’. © Doc&Film International. A brilliant student in his early 20s, Sofiane is back in his hometown of Marseille to spend the holidays with his family. Suddenly his older brother, a drug dealer, is killed before his eyes. In order to find his brother’s killers, Sofiane will get involved in some dangerous business.
  • Comment j'ai détesté les maths - R.: Olivier Peyon; con Eitan Grinspun, Cédric Villani. France, 2013, 99’. © Doc&Film International. Working for the students of the whole world, often angry at the uselessness of studying mathematics, the director interviews some of the world’s brightest minds in order to unfold the extraordinary uses of mathematical sciences.
  • E questo di lunedì mattina / Und das am Montagmorgen - R.: Luigi Comencini. Con O. W. Fischer, Ulla Jacobsson, Vera Tschechowa. Germany, 1959, 91’. © Fondazione Cineteca Italiana. A bank clerk decides to take a day off from work and dedicate some time to himself.
  • Family Life - R.: Ken Loach. Con Sandy Ratcliff, Grace Cave, Bill Dean, Malcolm Tierney. UK, 1971, 110’. © Ken Loach Sixteen Films. Janice grows up in an English middle class family: her mother is repressive and bossy, her father pretty much always absent. Facing an unexpected pregnancy, the girl is forced to abort by her mother: this episode will have dramatic consequences on her psychological and emotional balance.
  • Il signorino si diverte - R.: anonymous, Italy. ©Fondazione Cineteca Italiana.
  • Le petit Spirou - R.: Nicolas Bary. Con Sacha Pinault, Pierre Richard, François Damiens. France, 2017, 86’. © TF1. Just like every member of his family before him, Spirou will become an elevator operator in a grand hotel. However, right before starting to attend the school for elevator operators, he decides to come clean with the dreams for his future and his love for little Suzette.
  • Lo Champagne di Polidor - R.: Polidor. Con Polidor. Italy, 1913 © Fondazione Cineteca Italiana. Polidor wants to drink a glass of champagne: he buys a whole bottle and uselessly tries to open it.
  • Looking for Eric - R.: Ken Loach. Con Steve Evets, Éric Cantona, Stephanie Bishop. UK/ France/ Spain/ Italy/ Belgium, 2009, 116’. © Ken Loach Sixteen Films. Eric Bishop leads a messy life: after quitting his first wife Lily, whom he still loves, and his daughter Sam, he now lives with the children of his second ex wife. One evening, during a moment of deep self-commiseration, Manchester United’s great Eric Cantona appears before his eyes: thanks to his help, Sam will finally be able to put his life together.
  • Maman a tort - R. e sc.: Marc Fitoussi; con Jeanne Jestin, Émilie Dequenne; France/Belgium, 2016, 110’. © Kinology. 14-year-old Anuk has to spend a week at the insurance company where her mother Cyrielle works in order to complete her school curriculum. Despite being very young, the girl quickly discovers some anomalies within the company’s line of work. After asking for explanations, she sadly learns about the dynamics that lie behind her mom’s work and the compromises that sometimes adults can’t help but accept.
  • Mindenki / Sing - R.: Kristóf Deák. Con Dorka Gáspárfalvi, Zsófia Szamosi, Dorka Hais. Hungary, 2016, 25’. © Premiere Film. Zsofi loves singing and, once she moves to a new school, she doesn’t hesitate to join the choir. Director Erika, however, asks her and other less skilled children to sing softly in order not to ruin their classmates’ singing. Zsofi will quickly succeed in overthrowing the injust order imposed by the director and singing together with the rest of the choir. 2017 Oscar for Best Short Movie.
  • My name is Joe - R.: Ken Loach. Con Peter Mullan, Louise Goodall, David McKay. UK/ France/ Spain/ Italy/Germany, 1998, 105’. © Ken Loach Sixteen Films. Former alcoholic Joe survives thanks to a subsidy check while coaching a football team of troubled kids. Among them is Liam, a young drug addict who sincerely bonds with Joe. Pushed by the desire to help his friend out, Joe gets himself into trouble and the situation precipitates.
  • Sameblod - R.: Amanda Kernell. Con Lene Cecilia Sparrok, Mia Erika Sparrok, Maj-Doris Rimpi. Sweden, 2017, 110’. Ella-Marja belongs to the Sami people, which are confined and discriminated by Swedish people. In order to escape this evil treatment and to live a normal life, she renounces to the traditions of her people and runs away pretending to be Swedish. 2017 Lux Award.
  • Simon - R.: Emmanuel Caussé, Eric Martin, con: Zacharie Chasseriaud, Gustave Kervern, Corinne Masiero. France, 2015. © Doc&Film International. Simon is 17 and fighting lung cancer. Life is testing him and his days get tougher and tougher, however he doesn’t give up and thanks to his family, his friends and his skateboard, Simon manages to overcome even the most difficult moments.
  • Sweet sixteen - R.: Ken Loach. Con Michelle Coulter, Martin Compston, William Ruane. UK, 2002, 101’. © Ken Loach Sixteen Films. 15-year-old Liam tries to make some money selling anything from cigarettes to heroin, dreaming of a future life with his mom and sister, in a house of their own, far away from the evil stepfather. However, the racket he gets himself into risks taking him down a lethal spiral.
  • The Angels' Share - R.: Ken Loach. Con Paul Brannigan, Roger Allam, Siobhan Reilly, John Henshaw. UK/ France, 2012, 106’. © Ken Loach Sixteen Films. Sentenced to 300 hours of social work for assault, Robbie befriends Rhino, the leader of his work group. Rhino organizes a field trip to a whiskey distillery: Robbie is fascinated and shows off incredible tasting skills. Once he’s told the value of a barrel kept in the distillery, he comes up with a plan to ensure his family a decent future.
  • The Fugitive - R.: John Ford; con: Henry Fonda, Dolores Del Rio, Pedro Armendáiz. USA, 1947, 104’. © Jugoslovenska Kinoteka. In a country in South America, christians are persecuted and the clergymen try to escape. Only a missionary priest is determined to stay and fight his faith, hiding from the authorities thanks to a woman and an outlaw that he meets along his path.
  • The Navigators - R.: Ken Loach; con: Con Joe Duttine, Tom Craig, Venn Tracey, Steve Huison. UK, 2001, 96’. © Ken Loach Sixteen Films. After the privatization of a UK railway warehouse, a team of maintanance workers and long-time friends is split up and divided among different companies. Precariousness, redundances, unpaid leaves and no guarantees are the main characteristics of the new job.
  • The Spiral Staircase - R.: Robert Siodmak; con: George Brent, Kent Smith, Dorothy McGuire, Ethel Barrymore. USA, 1946, 83’. © Jugoslovenska Kinoteka. In a small countryside town, a crazy killer kills a young woman with physical malformations. A girl who’s become mute due to a shock moves to a big mansion to take care of an old lady; here she is chased and threatened by the crazy killer running free.
  • The Stranger - R.: Orson Welles; con: Loretta Young, Edward G. Robinson, Orson Welles. USA, 1946, 95’. © Jugoslovenska Kinoteka. Hiding his real identity, a former nazi who ran away from the Nurnberg trial finds shelter in a small American town where he marries the daughter of an important attorney. A detective arrives in town, capsizing the plans of the runaway.
  • The Wind That Shakes the Barley - R.: Ken Loach. Con Cillian Murphy, Pádraic Delaney, Liam Cunningham. Ireland, 2006, 127’. © Ken Loach Sixteen Films Ireland, 1920. The country is fighting for its independence against the British army and, after witnessing the abuses committed by the English soldiers, young Damien joins the rebels. Among the IRA fighters there is also his brother, Teddy, but their paths will be split by the collapse of the political situation.
  • The woman in the window - R.: Fritz Lang; con: Edward G. Robinson, Dan Duryea, Joan Bennett. USA, 1944, 99’. © Jugoslovenska Kinoteka. An old criminology professor, married with kids, meets a beautiful woman and falls for her. From that moment he gets involved in a series of misadventures that capsize his life and lead him to commit a murder...
  • Three came home - R.: Jean Negulesco; con: Claudette Colbert, Patric Knowles. USA, 1950, 105’. © Jugoslovenska Kinoteka. At the wake of World War II, English woman Agnes Newton Keith is trapped in the Borneo together with her American husband Harry during the Japanese invasion of the country. Despite the liniency of one of the Japanese commanders, the woman is turtured and humiliated by the guards.
  • Voglio vivere così - R.: Mario Mattoli. Con Ferruccio Tagliavini, Carlo Campanini, Silvana Jachino. Italy, 1942, 78’. © Fondazione Cineteca Italiana. A young man from the countryside receives an invitation from the director of an important theater who wants to engage him. The young man is enthusiastic and rushes to the theater, only to find out that he was the victim of a bad prank from his cousin. Ashamed, he decides not to go back to his town and finds a position in the theater as a stagehand. Soon he has the opportunity to show off his singing skills and the director finally decides to engage him.
  • Le Fabuleux Destin d'Amélie Poulain - R.: Jean Pierre Jeunet; con Audrey Tautou, Mathieu Kassovitz, Dominique Pinon / France, 2001, 120’. Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.
  • Intouchables (frame) - R.: Olivier Nakache, Éric Toledano; con François Cluzet, Omar Sy, Anne Le Ny / France, 2011, 112’. After he becomes a quadriplegic from a paragliding accident, an aristocrat hires a young man from the projects to be his caregiver.
  • I, Daniel Blake (frame) - R.: Ken Loach; con Dave Johns, Hayley Squires, Sharon Percy / UK, France, Belgium, 2016, 100’. After having suffered a heart-attack, a 59-year-old carpenter must fight the bureaucratic forces of the system in order to receive Employment and Support Allowance.
  • Roma (frame) - R.: Alfonso Cuarón; con Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey / Mexico, USA, 2018, 135’. A year in the life of a middle-class family's maid in Mexico City in the early 1970s
  • Ma Loute (frame) - R.: Bruno Dumont; con Fabrice Luchini, Juliette Binoche, Valeria Bruni Tedeschi / France, 2016, 122’. Summer 1910. Several tourists have vanished while relaxing on the beautiful beaches of the Channel Coast. Infamous inspectors Machin and Malfoy soon gather that the epicenter of these mysterious disappearances must be Slack Bay, a unique site where the Slack river and the sea join only at high tide.
  • Le tout nouveau testament (frame) - R.: Jacon Van Dormael; con Pili Groyne, Benoît Poelvoorde, Catherine Deneuve / Belgium, 2015, 114’. Did you know that God is alive and lives in Brussels with his daughter?
  • En guerre (frame) - R.: Stéphane Brizé; con Vincent Lindon, Mélanie Rover, Jacques Borderie / France, 2018, 113’. After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision.
  • La vie d’Adèle (frame) - R.: Abdellatif Keichiche; con Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche / France, 2013, 180’. Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult.
  • La loi du marché (frame) - R.: Stéphane Brizé; con Vincent Lindon, Karine de Mirbeck, Matthieu Schaller / France, 2015, 91’. An unemployed factory worker is trying to make ends meet in working-class France.
  • Delicatesse (frame) - R.: Jean Pierre Jeunet, Marc Caro; con Marie-Laure Dougnac, Dominique Pinon, Pascal Benezech / France, 1991, 99’. Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.
  • The Life Aquatic with Steve Zissou - R.: Wes Anderson; con Bill Murray, Owen Wilson, Anjelica Huston / USA, 2004, 119’. With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
  • Charlie and the Chocolate Factory - R.: Tim Burton; con Johnny Depp, Freddie Highmore, David Kelly / USA, 2005, 115’. A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker.
  • The Goonies - R.: Richard Donner; con Sean Astin, Josh Brolin, Jeff Cohen / USA, 1985, 114’. In order to save their home from foreclosure, a group of misfits set out to find a pirate's ancient valuable treasure.
  • First Blood - R.: Ted Kotcheff; con Sylvester Stallone, Brian Dennehy, Richard Crenna / USA, 1982, 93’. Former Green Beret John Rambo is pursued into the mountains surrounding a small town by a tyrannical sheriff and his deputies, forcing him to survive using his combat skills.
  • Broken Flowers - R.: Jim Jarmusch; con Bill Murray, Jessica Lange, Sharon Stone / USA, 2005, 106’. As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
  • Danteìs Peak - R.: Roger Donaldson; con Pierce Brosnan, Linda Hamilton, Jamie Renée Smith / USA, 1997, 108’. A vulcanologist arrives at a countryside town recently named the second most desirable place to live in America, and discovers that the long dormant volcano, Dante's Peak, may wake up at any moment.
  • Baby Driver - R.: Edgar Wright; con Ansel Elgort, Jon Bernthal, Jon Hamm / USA, 2017, 112’. After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.
  • Indiana Jones and the Temple of Doom - R.: Steven Spielberg; con Harrison Ford, Kate Capshaw, Jonathan Ke Quan / USA, 1984, 118’. In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
  • The Artist - R.: Michel Hazanavicius; con Jean Dujardin, Bérénice Bejo, John Goodman / France, 2011, 100’. An egomaniacal film star develops a relationship with a young dancer against the backdrop of Hollywood's silent era.
  • Sole a catinelle (frame) - R.: Gennaro Nunziante; con Checco Zalone, Aurore Erguy, Miriam Dalmazio / Italy, 2013, 87’. The story of a father and a son. An on the road trip from South to North.
  • La grande bellezza (frame) - R.: Paolo Sorrentino; con Toni Servillo, Carlo Verdone, Sabrina Ferilli / Italy, 2013, 141’. Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
  • Loro 1 (frame) - R.: Paolo Sorrentino; con Toni Servillo, Elena Sofia Ricci, Riccardo Scamarcio / Italy, 2018, 104’. A film about the life of Silvio Berlusconi.
  • Youth (frame) - R.: Paolo Sorrentino; con Michael Caine, Harvey Keitel, Rachel Weisz / Italy, 2015, 124’. A retired orchestra conductor is on vacation with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
  • Istanbul Kirmizisi - R.: Ferzan Ozpetek; con Halit Ergenç, Tuba Büyüküstün, Mehmet Günsür / Italy, Turkey, 2017, 110’. Deniz, an acclaimed author, is writing a book about his family and friends. He asks Orhan for critics. The day Orhan came to Istanbul from London, Deniz disappears. Orhan, Deniz's friend Neval and Deniz's lover Yusuf tries to find Deniz.
  • Vertigo - R.: Alfred Hitchcock; con James Stewart, Kim Novak, Barbara Bel Geddes / USA, 1958, 128’. A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.
  • Le huitième jour (frame) - R.: Jacon Van Dormael; con Daniel Auteuil, Pascal Duquenne, Miou-Miou / Belgium, 1996, 118’. An unusual and wonderful friendship develops between a busy but unhappy salesman and a resident of a mental asylum.
  • Chocolat - R.: Roschd Zem; con Omar Sy, James Thierrée, Clotilde Hesme / France, 2016, 119’. The rise and fall of the famous clown Chocolat, the first black circus performer who revolutionised the stagnant circus acts and conquered Paris of the Belle Époque with his exuberance and originality.
  • La cité des enfants perdus - R.: Jean Pierre Jeunet, Marc Caro; con Ron Perlman, Daniel Emilfork, Judith Vittet / France, 1995, 112’. A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
  • Inception (frame) - R.: Christopher Nolan; con Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page / USA, 2010, 148’. A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.
  • Dheepan (frame) - R.: Jaqes Audiard; con Jesuthasan Antonythasan, Kalieaswari Srinivasan, Claudine Vinasithamby / France, 2015, 115’. Dheepan is a Sri Lankan Tamil warrior who flees to France and ends up working as a caretaker outside Paris.
  • Jupiter hldja (frame) - R.: Kornél Mundruczó; con Merab Ninidze, Zsombor Jéger, György Cserhalmi / Hungary, 2017, 129’. Aryan is a Syrian refugee trying to make his way into Hungary from Serbia, along with his father and many other wretched souls. They are all caught, and find themselves in a web of cynicism and corruption.
  • Die schwarzen Brüder - R.: Xavier Koller; con Fynn Henkel, Moritz Bleibtreu, Waldemar Kobus / Germany, 2013, 100’. Giorgio's poor parents sell their son to Milan to work as a chimney sweeper. There he joins the «Black Brothers».
  • La prière (frame) - R.: Cédric Kahn; con Anthony Bajon, Damien Chapelle, Alex Brendemühl / France, 2018, 107’. Thomas is a drug addict. In an effort to put an end to his habit, he joins a community of former addicts who live isolated in the mountains and use prayer as a way to cure themselves.
  • Fuocoammare (frame) - R.: Gianfranco Rosi; con Samuele Pucillo, Mattias Cucina, Samuele Caruana / Italy, 2016, 114’. Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
  • Le confessioni (frame) - R.: Roberto Andò; con Toni Servillo, Daniel Auteuil, Pierfrancesco Favino / Italy, 2016, 108’. Ministers from the G8 countries meet in Germany to decide on a secret plan affecting many countries. IMF director Roché has invited a monk for his confession. Roché's later found dead. Is it murder or suicide? Did he reveal the plan?
  • El Clan (frame) - R.: Pablo Trapero; con Guillermo Francella, Gastón Cocchiarale, Peter Lanzani / Argentina, 2015, 108’. The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.
  • Orecchie (frame) - R.: Alessandro Aronadio; con Daniele Parisi, Silvia D'Amico, Rocco Papaleo / Italy, 2016, 90’. This tragicomedy begins when a man wakes up with a low ringing sound in his ears and discovers a cryptic note on his fridge "Your friend Luigi has died. P.S. I took the car."
  • Dogman (frame) - R.: Matteo Garrone; con Marcello Fonte, Edoardo Pesce, Nunzia Schiano / Italy, 2018, 103. Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorizes the entire neighborhood.
  • The Belly of an Architect (frame) - R.: Peter Greenaway; con Brian Dennehy, Chloe Webb, Lambert Wilson / UK, 1987, 119’. An architect supervising an exhibition starts to have mysterious stomach pains while his life begins to fall apart.
  • The Party (frame) - R.: Sally Potter; con Timothy Spall, Kristin Scott Thomas, Patricia Clarkson / UK, 2017, 71’. Janet hosts a party to celebrate her new promotion, but once the guests arrive it becomes clear that not everything is going to go down as smoothly as the red wine.
  • Memento (frame) - R.: Christopher Nolan; con Guy Pearce, Carrie-Anne Moss, Joe Pantoliano / USA, 2000, 113’. A man with short-term memory loss attempts to track down his wife's murderer.
  • Malèna (frame) - R.: Giuseppe Tornatore; con Monica Bellucci, Giuseppe Sulfaro, Luciano Federico / Italy, 2000, 108’. Amidst the war climate, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.
  • Dunkirk (frame) - R.: Christopher Nolan; con Fionn Whitehead, Barry Keoghan, Mark Rylance / USA, 2017, 106’. Allied soldiers from Belgium, the British Empire, and France are surrounded by the German Army, and evacuated during a fierce battle in World War II.
  • Sin City (frame) - R.: Frank Miller, Robert Rodriguez; con Mickey Rourke, Clive Owen, Bruce Willis / USA, 2005, 124’. A film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.
  • The 33 - R.: Patricia Riggen; con Antonio Banderas, Rodrigo Santoro, Juliette Binoche / Chile, USA, 2015, 127’. Based on the real-life event, when a gold and copper mine collapses, it traps 33 miners underground for 69 days.